You're Three Weeks Out—And Post Isn't Planned

What a Post-Production Supervisor Actually Does

Post-production supervision is the orchestration layer between creative and delivery. Not an intermediary. Not a consultant. The person who runs post from locked picture through delivered film.

That means you:

What We Actually Handle

Post-Production Management

We coordinate your entire post workflow — editorial locking, color supervision, sound mix management, VFX integration, and mastering. If you already have an editor, colorist, or sound mixer, we work with them. We don't replace your team; we manage the pipeline. If you don't have a team yet, we bring one in.

• • Editorial coordination and conform supervision
• • Color and online supervision (2K/4K DCP mastering)
• • Sound mix management (5.1/7.1 laybacks and stems)
• • VFX supervision and delivery integration
• • DCP/IMF/HDR mastering (via our Tunnel Post partnership for technical execution)

Delivery Management

We assemble the complete legal and technical package for distribution. That includes chain of title, errors & omissions coordination, copyright registration, credit statements, distributor-specific submissions, and QC management through final acceptance.

• • Legal package assembly (E&O coordination, clearance reports, credit statements)
• • Chain of title and copyright registration
• • QC management and platform compliance review
• • Distributor submission and final delivery sign-off
• • Physical master management and archiving

How We Work With Your Existing Team

We're not gatekeepers. If you already have trusted editors, colorists, sound mixers, or VFX supervisors — we work with them directly. We manage the timeline, the handoffs, the specs, the QC, and the delivery. Your creative team focuses on the work. We handle coordination and logistics.

If you don't have a full team assembled, we bring one in. We work regularly with:

• • Tunnel Post (DCP mastering, digital intermediate, color)
• • Independent editors, colorists, and online facilities
• • Sound mixing studios (5.1 and immersive formats)
• • VFX supervisors and digital effects teams

The structure is the same either way: we set specs, we track progress, we manage interdependencies, and we deliver a complete, compliant final product.

Budget and Schedule: Scoped by Principals

Every project is scoped by actual producers, not intermediaries or coordinators. We look at your locked picture (or your production plan), your delivery schedule, and your budget, and give you a real number. No hourly billing surprises. No scope creep conversations. No bait-and-switch on who you're working with.

Here's what we need to scope a project:

• • Runtime and technical specs (resolution, aspect ratio, frame rate)
• • Delivery timeline (distributor deadlines, festival deadlines, window dates)
• • Post status (locked cut, in color, pre-lock)
• • Distributor requirements (platform specs, metadata, legal package scope)

We'll walk through options, trade-offs, and realistic timelines. Then we'll give you a fixed fee. That's it.